Sean Curran

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Sean Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with the Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance (“Bessie”) Award for his performance in Secret Pastures. A graduate and guest faculty member of New York University’s Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden’s Danstation Theatre and France’s EXIT Festival. Recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night’s Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L’Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons’ production of My Life with Albertine; and Shakespeare in the Park’s As You Like It. He made his Metropolitan Opera debut choreographing Romeo and Juliette, and most recently, he directed Salome for Opera Theatre of St. Louis and the San Francisco Opera. Curran has taught extensively at the American Dance Festival, Harvard Summer Dance Center, Bates Dance Festival, and Boston’s Conservatory of Music. Irish American Magazine selected Curran as one of its “Top 100” in the year 2000. Curran was awarded a Choreographer’s Fellowship from the New York Foundation for the Arts in 2002. Happiest when making new work or performing, Seán Curran hopes to continue being an ambassador for the art of dance by building and educating the dance audiences of tomorrow.

Class Description: This class concentrates on a multi-disciplined approach to contemporary dance training and technique. Beginning with a thorough warm-up that incorporates ideas of release and principles of yoga, the class will progress using exercises derived from Cunningham and Limon techniques. There is an awareness of weight, flow, space, gesture anatomy and intention throughout the class.

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